SELECTION OF KEY WORKS AND EXHIBITIONS
I am international folk costume. Performance by Åsa Lie @ FLYKTIG/FUGITIVE in Valdres, Norway 2024
Still from performance with International folk costume (sculpture / costume / noise intrument of heat foil, tape and a letter from a friend) by Åsa Lie @ Upstairs Basement I & II. Espace MOSS, Brussels & MOSS Utställningar, Stockholm. May-June 2016
SHIT SLAVE, installation (2016) with the painting SLAVE from 2015, by Jadran Sturm shown @ Life is not all shoot-shoot, bang-bang, Konstakademiens Hus / Royal Academy of Fine Arts. Fredsgatan 12, Stockholm (SE). January 2016
Why are there beings at all, instead of nothing. Installation/exhibition at ESPACE O IN, Brussels, Belgium. July 2010. Solo
A MAN KILLS A MAN WITH A MAN. Video in La vitrine (ou)verte installation, Steenstraat/rue des Pierres 26, Brussels, Belgium. Film & book with sculptural DRAWINGS. August 2010. Solo
M. DRIVES A FUNERAL CAR. Gallery CO21 (centre de coleur contemporaine), Brussels. 2009
Don't paint the devil on the wall?. A digital opera by Sturm-Lie.
Gallery H29, Brussels, Belgium. 4-29 June 2009. Group exhibition: 'A few small changes'. A paralel event in connection with Momentum 2009. Platform for Performance and Art at the Bains connective in Brussels.
POLITIX + BIZNESS = NO. @ 68 IT'S REVOLUTION, BOZAR, Palais voor schone kunsten, Brussels. 2008
WORDS OR BULLETS. Performance and video in Breughel’s View / Commitment bkSM (beeldende kunst Strombeek/Mechelen), Mechelen. 2007. Group
YELLOW LINE - ZONFUZZION - PENSO QUINDI NON SONO. In ‘extra(SIC)’, Extra City Kunsthal, Antwerpen. 2006
NORTHERN LIGHT - ZONFUZZION - PENSO, QUINDI NON SONO. Public intervention in the centre of Palermo, Sicily, Italy. October 2006. Photographics. Solo
Io, intanto, ti bacio il culino... at Gallery BUREAU DU PORT, Brussels, Belgium. 14-28 May 2005.Installation. Solo
POLITICAL INTERVENTION VERSUS I. Full page publication in DE WITTE RAAF. NOV/DEC EDITION. Benelux art magazine. 2002
FART 1, 2, 3 AND 4 at OFF SITE ART FAIR. Sofa performance in Steenstraat 27, and distribution at Brussels ART-FAIR. UPP. 2002
GIVE ME MONEY! #MONEY - BUYING & SELLING EAST and WEST, MANIFESTA 2, City of Luxembourg. UPP. 1998
IN ART DOGS EAT DOGS / MR.CLEAN KNOWS HOW TO FIGHT DIRTY I-IV.
Performance at Gallery MOT & VAN DEN BOOGAARD, Brussels, Gallery TORCH, Amsterdam, Gallery DE EXPEDITIE, Amsterdam and Gallery JAY JOPLING/WHITE CUBE, London. UPP. 1997
INFORMATION CURVE. Advertisement invitation in DE WITTE RAAF, JAN/FEB EDITION. Benelux art magazine. 1997
E42, E.U.R. VITA ELEMENTARI. Gallery OH!, Stichting Kunstbevordering v.z.w. Brussels. 1996
A FLOWER FOR A SIGNATURE. Promenadeperformance. City of LUXEMBOURG AND CAFÉ CLUB 5, Luxembourg. 1995
HUMANITAS. (Installation concept and content presented to a Brussels gallery, but never realised as an exhibition.) 1995
THE HALLMARKS OF A SOCIETY. Café Europa, Copenhagen, Denmark. UPP. 1994
PANAGIA GORGOEPIKOOS. Athens, Greece. 3 months residency and book project. 1993.
Publication of the book project 28 years later & event, Brussels 2021.
Here you can look at / download the book in PDF format
Exhibition in VITRINE #134 @ LUCA - Bibliotheek Sint-Lukas, 2022.
LINGUA PORTUGUESA. Installation by Åsa Lie @ Gallery La Prima Materia, Haarlemmerstraat 111, Amsterdam, Netherlands. Solo. October 1991
61 DAYS PROCEEDING, SOCIOLOGICAL PERFORMANCE PROJECT. Qaqortoq, Kalaallit Nunaat (Greenland). Nordic arts exchange programme 2 months residency. 1991
POLITICS, THE SUN AND NOISE. Overgaden Art Center, Copenhagen, Denmark. 1990
ARBETE - CONSULTING ON MATHEMATICS, TIME & SPACE. Galleri PROJECT, Stockholm, Sweden. 1989
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